It’s been a memorable two years for country singer Ty Herndon. He has joined only a handful of country artists who have been brave enough to publicly come out as gay — a secret he hid through the height of his career in the early and mid-1990s. He also hit No. 1 with his debut single, “What Mattered Most,” and charted over a dozen songs during that decade. Eventually, he disappeared from the airwaves and battled with some personal issues that landed him in drug and alcohol rehabilitation.
Now, with his past behind him and his own personal truth in the open, Herndon has crafted an album that truly signals his return to country music.
House on Fire is Herndon’s eighth career studio album, which reclaims the magic that was sprinkled throughout his first three records. Overall, the project has a more polished and obvious Top 40 production behind it. That isn’t a complaint, though. Herndon’s pure yet twangy voice has always been the main element that has infused the country sound into every song.
From the first note of opening track “That Kind of Night,” listeners are taken through an uplifting and purely joyful mix of love songs, biting anthems and unapologetic goodbyes. It’s one of his strongest collections of records since 1998’s Big Hopes, which produced three Top 5 tracks.
Of course, country music has changed a lot since 1998 — and so has Herndon. But the themes ingrained in these songs are likely to connect just as strongly with country fans as his earlier works. That’s likely in part a result of Herndon’s efforts to shy away from specifically referencing males or females in the songs. Although he happens to be a gay man, Herndon’s music is for everyone.
“What’s different about this record is that it’s gender-free,” Herndon told Wide Open Country earlier this year. “If you’re a diehard country fan who’s married woman with nine kids in Des Moines, or if you’re an LGBT person in Chicago, you’re going to hear your life in this record.”
Instead of focusing on gender, Herndon chooses to dial into the situations we’ve all been in. From the rush and fear of taking the next step in “Just Friends,” to the satisfaction of telling off an awful ex in “If You,” Herndon becomes the narrator of our lives.
It’s hard to pinpoint a handful of standout tracks, because like any great album, this one is meant to be heard all the way through.
by Lorie Liebig for Wide Open Country